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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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3189
Winterauktionen 25.–26.11.2022
Bizer, Emil
1881 Pforzheim - 1957 Badenweiler.
Houses in the Provence.
Around 1942. Oil on canvas, mounted on plywood. Unsigned. Verso personal dedication «Herrn Dr. Lüttke Oberried Weberhof» as well as a handwritten authentication by Dr. Bernd Bizer, son of the artist: «Bestätigung: Original Ölgemälde meines Vaters: Emil Bizer Dr. Bernd Bizer (confirmation: original oil painting by my father: Emil Bizer Dr. Bernd Bizer)».
H 41,
Authentication: We would like to thank Dr. Bernd Bizer, son of the artist, for the authentication based on the original on-site, 07.09.2022.
Provenance: gift of the artist to Dr. Georg Lüttke, publisher and friend of the artist, Oberried; by succession transferred into private property Berlin.
«But he [Emil Rudolf Weiß] was in a similar position to Bizer, earning his living with book art and small painting commissions in return for board and lodging, such as the decorative design of the dining room in the Hotel Zähringer Hof in Freiburg. It was ‹relationships› of this kind that led the publisher Dr Georg Lüttke in Berlin to publish a portfolio of
Condition report 